Month: November 2015

Calculating the available water capacity for the plant an agricultural producer possesss a property with alone data. Which information it needs to know the amount of available water for the plant? How it calculates this amount? Ahead of this situation, the producer must have in hands four information, is they: 1) Water percentage in the field capacity (- 33 kPa); 2) Water percentage in the point of permanent withering (- 1500 kPa); 3) Density of the ground (g/cm3); 4) Thickness of the ground layer that the density of the ground represents (of where it was removed) (in centimeters). To get these information, the producer must collect a ground sample deformed and not send it some agronmico institute next to its property. In this place, it must request the technician so that they carry through the measure of density of the ground, as well as supplies the curve of retention of the water in the ground. This last one, will contain the amount of water in the ground in the capacity of field and the point of permanent withering. Of ownership 20 cm and 20 40 cm and to get 40 and 60 mm of water, respectively, we can say that if the culture that we will plant possesss roots up to 40 cm of depth of the ground, then has available water 100 mm for the plant. Knowing it amount of water that the culture uses (technical the evapotranspirao), it can be known will be had or water enough plant not to grow it and even though to foresee will have sazonais problems of water scarcity, called technical of hdrico deficit, needing then irrigation.>

Although all the Egyptian sculptures offer a hallmark of his art and a certain uniformity of style,they differ from other groups, according to the period of prints history that belongs to the following:
The sculpture of the Old Empire is in hieratic representations of gods and pharaohs, but the courtiers is canvas natural, and is distinguished by the majesty and realism that the human figure to print, copying fairly factions perfection of the character and the scenes of his life are in the temples and tombs. Among the best models highlights the wooden statue of a character called vulgarly Beled-el-Sheikh paintings or the mayor, dating from Dynasty V (XXIV century BC)
In the Middle Empire Memphite Theology continues the tradition but with more realism, giving the Pharaohs a gentle, slightly lengthening the figures.
The Empire New Era is the aggrandizement of the country’s political and multiply in the statues and shape some of colossal size, attached to the temples, representing the Pharaoh who was involved. All carried in his hand a roll, a fragelo, or a scepter, and so on. It also introduces the dromas or processional avenues with sphinxes and commemorate the military prowess and religious carvings in bas relief on the walls and pylons of the temples. The statues, however, they can return to realistic and be subject to fees, to buy back the typical expression hieratic.
The Late period (from mid-seventh century BC) resulted in an extremely realistic reaction, extending painting over the figures and to refine and refine the technique of sculpture, although the preferred material for illustration this, at times, it was basalt and other rocks hard. Abandonment is the size of giants in this era. It is populated effigies of the temples and the increase in bronze sculpture. Belong to the same time most of the bronze mythological stored in museums.
The Greek influence is painter already present in the period Saito, intensified during the Hellenistic period in Egypt and the Roman epoch of landscapes giving more sweetness and corrections to the statues while many continued sculpting with the typical expression hieratic and from school neo-Memphite Theology, are cold and rigid to copy one another without direct reference to the natural as in the past.
In all the times were recorded for numerous labels gemstones, necklaces, painters or amulets, they mainly appear in the gods, abstract and giclee hieroglyphic texts. The most common are escarabeos (beetles with shell carved in relief and a hieroglyphic text engraved on the bottom). The cameos in relief with figures in the time and are all Ptolemaida Hellenistic undoubtedly carved in Alexandria.

Why do the Jews have been persecuted throughout history ‘can bring many examples of such persecution and has little to do that wealth’ that their characteristic ‘(symbolized by an alleged exploitation of the world proletarian or peasant). In the Catholic Kings of Spain was intended or the conversion or expulsion, with a deadline for such. Among the several causes that can be either jointly or separately, as can be, the struggles between the nobility and clergy Semitism in society, do not forget the times of epidemics (1391) or crisis where to muddle through as always sought cause of all evils to the Jews. Rather were these materials to envy, as it was an emerging bourgeoisie. But while they had great prestige among both Christian and Muslim kings, most were relatively small shopkeepers and artisans. Since then the number of converts began to increase and the Jews were confined in special wards. These new converts fill highly important and influential, even coming to discriminate against their fellow Jews, as might be Jeronimo de Santa Fe, which polemic against these, or the imposition of Catholicism, to which I subscribe as a cause, and that Spain would form part of a Catholic empire, which reached America for the first time, it intended to seek new routes to the east, but probably pretended to find a way to attack Muslims Caught by surprise (remember that the Jews supported the Muslims in the invasion of the Iberian Peninsula in 711). In an article published in the Huffington Post said that President Obama is doing little to ease fears of the Afghan Diaspora. Isabel la Catolica was a firm believer and the Inquisition was initially created to separate definitively the possible relationships that could exist between converts and his brothers, but eventually, and because an increase in baptisms, they were expelled or executed. These practices remain in Spain until well into the s. Century with the Bourbons. There are many more examples throughout Europe over all these centuries, until the s. XX, where not only Hitler’s National Socialism rejection of Jews known until the Holocaust, but also in the interior of Germany between labor movements that were not considered pro-Nazi, insults were directed toward the pattern called ‘Jews’. In Central and Eastern Europe, Jews were the contact point between the field and the external economy, dependent on the livelihood of peasants, so that these areas include Hungary, were a constant point of tension with the Jews, because to the minimal social or economic explosion were charged and return again at the end to make the comparison, for scapegoats. The beginnings of the Arab-Israeli conflict. First of all as a historian, you have to make a small digression to clarify certain things. The passions are never conducive to problem solving, and much less about conditions for peace. When a story about any conflict comes unexpectedly on TV for its resurgence, it tends to show this side of human beings, as are the passions, and TV and other media, which give grounds for the opinion of individuals, show a scandalous manner, setting aside a minimum analysis of the problem or conflict that arose, not to mention it’s called, coterie, pundits, intellectuals, and so on.